top of page
Search

INGESTED: UK Death Metal Trio Drops “A Path OnceLost” Video!

  • Jason Hesley
  • Oct 25, 2024
  • 2 min read

Since their fifth album, 2020’s Where Only God May Tread, INGESTED has been on a creative tear that has produced almost a full record every year, each displaying the kind of musical growth that only comes from constantly practicing, playing, and writing. The Tide Of Death And Fractured Dreams is not only as innovative and brutal as their last disc — the bleak, firestorm Ashes Lie Still — it showcases a band willing to expand its creativity without sacrificing the ferocity that made it one of the most impressively destructive, technical death metal bands on the scene. Whether pummeling listeners with double-bass rolls, blast-beats, and grinding rhythm; breaking it all down with jagged, staggered riffs, and piercing harmonics; or flooding the mix with rapid-fire bursts of minor key melodies, INGESTED has injected all of their experience, skill, and artistry into ten trenchant new tracks.


Commended Rock Hard Germany, “The Tide Of Death And Fractured Dreams exhibits a considerable degree of musicality, which is expressed in sophisticated arrangements, sophisticated riffs, and strong clean vocals sprinkled in here and there…Blabbermouth concurred, “Simultaneously riotous and controlled, this is modern death metal at its smartest.” Added MetalSucks, INGESTED proves over and over again that they can still surprise us. When they started out in 2006, they surprised everyone with their ability to hang with more established US deathcore bands and even outdo them. Now they prove that they can take that sound and be more than heavy, loud, and shocking as they dig deep and get artistic.”


The Tide Of Death And Fractured Dreams was produced by the band with the guidance of recording engineer Nico Beninato. The record includes a guest appearance by Chimaira’s Mark Hunter who provides vocals for the track “In Nothingness” and Sylosis singer Josh Middleton who contributes to “Expect To Fail,” as well as the striking cover art of David Seidman.


 
 
 

Comments


bottom of page