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Lammendam

Lammendam is the debut full-length studio album by the Dutch symphonic black metal band Carach Angren. Released in 2008, it is a concept album about Lammendam, the remains of a castle that are haunted by a "ghost lady in a white dress". Dennis "Seregor" Droomers claims that he was inspired to write the album by a local legend that he has been familiar with since childhood. The legend centers around series of events that supposedly occurred in Schinveldse Bossen, a forest area northeast of the Dutch region of South Limburg and of the town of Schinveld, near the German border. The album features symphonic black metal with progressive song structures. 

Death Came Through a Phantom Ship

Death Came Through a Phantom Ship is the second full-length studio album by the Dutch symphonic black metal band Carach Angren, It was released in 2010.

This album tells the legend of a ghost ship (an interpretation of the Flying Dutchman from its beginnings. While a wide variety of interpretations of the Flying Dutchman legend exist, the band says that the album is based on the Dutch interpretation of the story. However, they took some creative liberties with it to make it a more horrifying story.

Where the Corpses Sink Forever

Where the Corpses Sink Forever is the third studio album by the Dutch symphonic black metal band Carach Angren. It was released on May 18, 2012 via Season of Mist. The concept of this album is not about a Dutch urban legend or ghost stories, like the previous two albums, but it deals with war. The album contains references to World Wars I and II, as well as the Vietnam War. The first track is a tape recording of a soldier who was ordered to shoot seven prisoners of war, and each shot can be heard. The soldier explains the strange and wicked sensations he felt as he shot each of the prisoners; they were grinning happily as he tried to kill them, and it seemed like the shots went through them, but they were actually demons who captured the soldier's soul in a time loop, making him suffer for eternity. Many of the songs in this album describe the deeds of each of the seven fiends; death, war, suffering.

This Is No Fairytale

This Is No Fairytale is the fourth studio album by the Dutch symphonic black metal band Carach Angren. It was released on February 23, 2015 via Season of Mist. The witch's hand on the cover art of the album is actually the hand of Dennis "Seregor" Droomers' grandmother.

The album is a modern interpretation of the Hansel and Gretel fairy tale with themes of domestic abuse, drug addiction, alcoholism, sexual child abuse, suicide, child abduction and cannibalism.

Dance and Laugh Amongst the Rotten

Dance and Laugh Amongst the Rotten is the fifth studio album by Dutch symphonic black metal band Carach Angren. It was released on June 16, 2017 via Season of Mist. Although the album doesn't follow a linear story as their previous albums did, it is still a concept album. Clemens "Ardek" Wijers describes the album's concept as visitations from multiple ghosts of the dead; including the "Blood Queen" and Charles Francis Coghlan. The full album is focused on a nameless girl who plays with a Ouija board causing her to raise a variety of spirits and ends up getting possessed. The album ends by informing the listener that the box the CD came in is haunted by these same spirits, and that by opening the album, the listener has also released them.

 

Franckensteina Strataemontanus

Franckensteina Strataemontanus is the sixth studio album by Dutch symphonic black metal band Carach Angren. Released on 26 June 2020 through Season of Mist, it is a concept album inspired by the life of late 17th-century/early 18th-century German occultist Johann Konrad Dippel, whose controversial experiments with corpses allegedly inspired Mary Shelley's influential 1818 Gothic novel Frankenstein; or, The Modern Prometheus; its title is a reference to a Latin epithet adopted by Dippel later in life. It is also their final release with long-time drummer and founding member Ivo "Namtar" Wijers, who left the band as soon as the recording sessions ended citing "dissatisfactions with the music industry".

'Franckensteina Strataemontanus'
When Crows Tick On Windows
Charles Francis Coghlan

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