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  • Jason Hesley

Rivers of Nihil reveals details for new album, ‘The Work’


On September 24th, Rivers of Nihil will release their fourth full-length, The Work, via Metal Blade Records. For a first preview of the album, a video for the new single “Clean” (directed by Mike Truehart) can be viewed at: metalblade.com/riversofnihil – where The Work can also be pre-ordered in the following formats:

- digipak-CD - deluxe box set (hardcover box includes: CD digipak (w/ bonus track), blue w/ black & white splatter vinyl, 52-page photo book, slipmat, and exclusive download content) - 180g black vinyl (EU exclusive) - silver w/ blue & black splatter vinyl (EU exclusive – limited to 500 copies) - natural clear w/ black & red splatter vinyl (EU exclusive – limited to 300 copies) - crystal clear w/ white & turquoise splatter vinyl (Kings Road exclusive – limited to 200 copies) - red / white melt vinyl (EMP exclusive – limited to 200 copies) - transparent orange w/ black swirls vinyl (Eyesore exclusive – limited to 300 copies) - silver / black marbled vinyl (Impericon exclusive – limited to 200 copies) - aqua blue / canary yellow galaxy vinyl (US exclusive) - white / cyan blue galaxy vinyl (US exclusive)


Reading, Pennsylvania’s Rivers Of Nihil have never fit neatly into a box, but with 2018′s Where Owls Know My Name, they transcended all labels applied to them. Returning in 2021 with The Work, they have forged further into new territory, delivering an album that is as cerebral as it is visceral, and that covers a staggering sonic range, definitively placing them in a category of their own. Inarguably a very dense, heavy collection, The Work is far too dynamic to be considered a solely metal record, and there is a genuine warmth that shows through, particularly on “Wait” and the gorgeous “Maybe One Day,” and the band have included far more clean vocals alongside the screaming that tears through many of the heavier tracks. Courtesy of their friend Zach Strouse, saxophone once again adds extra layers of atmosphere to the collection, utilizing baritone, soprano and alto saxes to great affect.


With guitars and synths/keys tracked at Uttley’s home studio, the band then we went back for the third album in a row to Carson Slovak and Grant McFarland at Atrium Audio to do drums, vocals, bass, sax, and mixing. “We’ve done so many sessions with those guys that they’re basically an extension of our band at this point. They usually know what we like, and we always encourage them to roast us to make stuff better,” says guitarist Brody Uttley. Alongside the band, James Dorton from Black Crown Initiate provided some vocals on “Episode,” Grant McFarland played cello on “The Void From Which No Sound Escapes”, and Uttley’s friend Stephan Lopez helped out with all of the field recordings, an integral part of the sonic textures of the record.


The Work track-listing 1. The Tower (Theme from “The Work”) 2. Dreaming Black Clockwork 3. Wait 4. Focus 5. Clean 6. The Void from Which No Sound Escapes 7. MORE? 8. Tower 2 9. Episode 10. Maybe One Day 11. Terrestria IV: Work

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