Genghis Tron return with new LP Signal Fire!

For almost two decades, Genghis Tron bandleaders Michael Sochynsky and Hamilton Jordan have gazed into the future and imagined what the world would look like after the extinction of our species— an outcome that has long troubled but also inspired them to steer the pioneering outfit in breaking new ground with each successive release, from the triumphant and genre-smashing electro-grind of 2008’s Board Up the House to the lush, pummeling hypnosis of 2021’s Dream Weapon.

Now, with their fourth full-length album Signal Fire (out on June 12), co-produced and mixed by Seth Manchester (Model/Actriz, Battles, Big Brave), Genghis Tron awaken us from the post-apocalyptic daydreams of their previous work with a violent— and most welcome —shove. This time, the distant-future reveries we first heard on Board Up The House give way to an unsettling awareness of the present we’re actually living, as our circumstances grow too pressing to try and escape.

“'Signal Fire' envisions a Kojima-esque dystopia of endless proxy warfare,” says vocalist and lyricist Tony Wolski (The Armed), “where the deluge of available information has outmoded the human ability to parse it. A world where those amoral, shameless and cunning enough can literally reshape the reality at their whim through sheer insistence. Honestly, this is probably about, like, late 2027…”

Roaring onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness, Genghis Tron are no strangers to making a forceful impression. But Signal Fire marks the first time the band– joined again by Wolski and Nick Yacyshyn (SUMAC) on drums, plus newcomer Kenny Szymanski (The Armed) on bass– has captured this level of urgency with such visceral precision. “This album is very much rooted in the now,” confirms Jordan.

First single and album opener “I Am All” sets the table with a chest-throbbing synth pulse as Wolski declares “I’m on a tear, I’m on a tear,” over swirling industrial rhythms and creeping synthlines. Even as the gaping maw of Wax Trax!-inspired buzzsaw guitars breaks the surface and threatens to swallow the other instruments whole— and as Wolski switches from hypnotic melodies to agonized screams — the music speaks to the sway in your hips, to the allure of possibility and a taste of danger in the air. If Genghis Tron are calling us to dance until the decay of civilization, “I Am All” establishes that it’s gonna be one hell of a time.