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EMBODIMENT ANNOUNCE NEW EP CRYPTOMORPH – OUT 24 JULY 2026!

Jason Hesley
Jul 12
1 min read

The band comments that “Cryptomorph explores the collapse of trust, perception, and internal stability in a world shaped by distortion and control.” Throughout the EP, themes of deception, psychological pressure, and systemic manipulation intersect with personal struggles involving trauma, identity, and mental endurance.


Cryptomorph reflects the erosion of certainty, whether placed in authority, ideology, or personal belief, and the destabilising realisation that accepted truths may be constructed, manipulated, or corrupted. As this external disillusionment takes hold, it gradually becomes internalised, manifesting as intrusive thoughts, emotional strain, and psychological conflict.


Across its four tracks, the mind becomes both battleground and burden, with clarity continually challenged by fear, uncertainty, and self-doubt. Despite its darker subject matter, Cryptomorph ultimately centres on resistance: confronting deception, enduring internal struggles, rejecting passivity in the face of manipulation, and recognising awareness and confrontation as essential steps towards reclaiming personal agency. Showcasing a revitalised line-up and renewed creative focus, Cryptomorph represents both a natural progression and the beginning of a new era for Embodiment.


All music was written and performed by Embodiment; lyrics were written by the band's singer, Harry Smithson. Drums were recorded at The NGM Trust, Bristol, with Gave Keeler as engineer and producer. Production and mixing for the EP were by Embodiment’s own Finn Maxwell. This was then mastered by Sine-Post Audio. Artwork was created by Pete Heyes (@Peteybobs).


With a further release already planned for 2027 and an extensive programme of live activity ahead, including a UK tour, Embodiment continue to demonstrate that technicality and memorable songwriting can coexist without compromise.


To celebrate the official launch of their EP, the band have released their new song ‘Beneath The Skin’.


 
 
 

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